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Dethu and His Non-Traditional Music Bible

A new book telling the story of non-traditional music in Bali over the past four decades was released and launched at Antiba Arts in Sanur last weekend.
Here's one brand new band people should watch: Fever To Tell. Formed in early 2010 in Jakarta the group with unique formation, four women one men, has received praise for their dynamic live performance. Mixing Riot Grrrl 90's rock—think Bikini Kill—and add 80's new wave to its element, their first single "Fight Night" gained huge attention from the indie scene and music journalists. Trax FM and OZ Radio Jakarta have played it quite intensively. It's also used as the main theme song for a short movie, Peron, which is in Belkibolang's compilation. Not to mention one cool radio program, Substereo in OZ Radio Jakarta, named them as "The Chosen One". As new kids on the block, they have been invited to some prestigious live gigs in the capital city of Indonesia such as JavaRockin'Land, Terusik Traxkustik and The Music Network Festival. Fever To Tell is now compiling material to be included in their first E.P. The band is planning to start recording in January 2012. Keep yourself updated by visiting their website www.fevertotellband.blogspot.com
DOMESTIC GROOVE ~ Celeb’s Chosen Nine is my biweekly column in The Beat (Jakarta) mag. Basically it’s an interview via e-mail which focuses on small, intimate, domestic stuff; what Indonesia’s public figures are really into. For the 28th edition I went upclose-and-personal with Ras Muhamad.
Setelah absen kurang lebih empat tahun, Ballads of the Cliché siap meluncurkan rilisan terbaru. Sebuah album penuh sedang direncanakan. Untuk mengawalinya, mereka baru saja merilis sebuah single digital yang dibagikan secara gratis via dunia maya berjudul "Ini Waktunya". Silakan masuk ke halaman utama untuk mengunduhnya.
Edition: November 30, 2011Rock-n-Roll Exhibition: REBEKAH E. MOORERock For Our Rights: The Planets Rarest and Most Radical Protest Songs:: Playlist, intro, song descriptions, and photos, handpicked and written by Bekah herself :: ...This stage has no podium. These musicians are not politicians, news reporters, or educators. They are Indonesian citizens who share, with those in the pit tonight, a concern for justice. This rock concert is a demonstration: a loud, emotion-filled rally for honesty and equality. The dissenters do not move forward, marching in unison. They move in danceamoshing, head banging, grasping compatriots, and singing, in unison, songs that unite them and give poetic shape to a deep longing for something better, for one and all...I found these words in my research journal in 2010, written shortly after accompanying Bali-based grunge/psychedelic rock band Navicula on a tour to Jakarta to launch their latest single, "Metropolutan" (Metro-pollutant). One week earlier, the song was released for free download on the Internet. "Metropolutan" marked the band's latest critique of environmental degradation in Indonesia, a response to the pollution crisis in the nation's capital. Each night of the tour, hundreds of Navicula fans crammed into Jakarta venues and sang this song collaboratively, having memorized the lyrics after just a few days of repeated listening. As an ethnomusicologist, I came to Indonesia to study the development of the independent music industry in Bali following the 2002 bombings. But that tour, and my many other encounters with music activism in Indonesia and throughout my career have led me to a preoccupation with music as it debates and defines social justice. For my installation in this Rock-n-Roll Exhibition, I present just a handful of the many protest songs I've encountered over the years and across nations. I exclude such distinguished artists as Rage Against The Machine or Bob Marley, as well as a number of definitive protest anthems, from Marvin Gaye's "What's Goin' On" to Phil Ochs' "I Ain't Marching Anymore," despite my immense respect for these artists and anthems. Rather than revisiting the familiar classics (though I still sneak in a few favorites), I opt to explore a selection of artists---diverse in their styles, origins, and social concerns---who may be lesser known, and whose lyrical themes or personal activism has tantalized and scandalized their respective nations. In the mushrooming heat of global activism in which we find ourselves today---the fire that started on Tahrir Square and spread to Wall Street now burns in the hearts of rebels throughout this very nation---these real radicals of rock demonstrate that change begins with a brave and loud few. These musicians, I contend, uphold the highest standards of human rights and our greatest hope that, in Sam Cooke's prophetic words, "a change is gonna come." ♬ Radio streaming live: http://army.wavestreamer.com:6356/listen.pls
DOMESTIC GROOVE ~ Celeb's Chosen Nine is my biweekly column in The Beat (Jakarta) mag. Basically it's an interview via e-mail which focuses on small, intimate, domestic stuff; what Indonesia's public figures are really into. For the 27th edition I went upclose-and-personal with Mira Lesmana.
Edition: November 09, 2011Rock-n-Roll-Exhibition: MISTY DIANBasslines and Vibes:: Playlist, intro, song descriptions, and photos, handpicked and written by Misty herself :: This playlist is a tribute to people from my old suburban neighborhood, the kind of neighborhood in which the Top 40 music reigned and where I thought the boot-legged albums of Prince were the ultimate score until the people I now call my friends made me listen to their Walkman or borrowed me their tapes. These friends, my homeys, took me to out of the suburbs and brought me to the city's obscure churches that turned into dope bass pumping B-Boy Extravaganzas, followed by Bassline parties and numerous accounts of impromptu events and performances. They introduced me to sounds that inexplicably made sense to my head and body. There were these sick beats that made people act like a cursing hustler swinging his gats or a spliff smoking brother admiring the booty and whatever person in between those two. And the rhymes, the brilliant rhymes, made people bob their heads all the way through, in whatever act they're at. I was totally sold, wrapped and I never returned. I cherish my Top 40 music because it landmarks certain episodes of the past. But the music on this list is more than just a categorical device. It's not just an important reminder of the good days of way back then, but it's also my important ingredient for having a good time, period. This list is a timeless device and I have my homeys to thank for that. What I'm trying to capture in this list is the great time we had in discovering one sick beat after another. Like most playlists, it is that trip down memory lane, it is that mini autobiography, and it is the place of giving credit where credit is due. This list isn't coming from an expert and you won't find any rare or unknown artist in it, but you'll hopefully feel the gratefulness I have for the experts who allowed me to have a taste of their expertise in discovering all these amazing beats. I'm bowing down, oh great ones, and I'm forever thirsty and hungry for more of your discoveries. ...Deeply grateful to Rudolf for having me in this exhibition! Radio streaming live: http://army.wavestreamer.com:6356/listen.pls

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