DDH-01

Dialog Dini Hari: Lengkung Langit

Perserikatan introspective folk paling dihormati di Bali yang notabene pamornya berangsur kian benderang dalam lingkup Nusantara, Dialog Dini Hari, baru saja menerbitkan album termutakhirnya, Lengkung Langit.

Home of tristan

Versi Bahasa Indonesia silakan klik di siniHere comes tristan, an alternative folk duo who are currently much-loved by many young adult Jakartans. Two high-school friends are the main members, Andrie Ridwan (singer, songwriter) and Andrew Hutasoit (multi-instrumentalist, composer), and they have just released their full-length debut album, HOME. Consisting of 11 songs, only one is written in Indonesian, the rest are in English. However, the Indonesian one, "Jelang Malam", was instantly appreciated by the Indonesian public and has reached top position on one of Jakarta radio's indie charts. Released under the flag of demajors records, all of the album materials were intimately recorded at home, using what the band calls their "home-recording" technique. Presenting "Songbird" as their first single, tristan music style is, according to them, heavily infected by The Beatles, Radiohead, Nick Drake, Jon Brion and Brooke Fraser. Keep yourself updated by visiting www.demajors.com frequently, and following the band on Twitter at @tristanologi.
Fable-1

Fable: Been Caught Recording

Pertama kali muncul pada 1994 kala dimana musik alternatif mulai merebak di Nusantara, Fable mengawali kiprahnya di beragam panggung di Jakarta, mulai dari ajang alternatif, brit pop, hardcore, pensi sampai kafe.

Rock-n-Roll Exhibition: REBEKAH E. MOORE

Edition: November 30, 2011Rock-n-Roll Exhibition: REBEKAH E. MOORERock For Our Rights: The Planets Rarest and Most Radical Protest Songs:: Playlist, intro, song descriptions, and photos, handpicked and written by Bekah herself :: ...This stage has no podium. These musicians are not politicians, news reporters, or educators. They are Indonesian citizens who share, with those in the pit tonight, a concern for justice. This rock concert is a demonstration: a loud, emotion-filled rally for honesty and equality. The dissenters do not move forward, marching in unison. They move in danceamoshing, head banging, grasping compatriots, and singing, in unison, songs that unite them and give poetic shape to a deep longing for something better, for one and all...I found these words in my research journal in 2010, written shortly after accompanying Bali-based grunge/psychedelic rock band Navicula on a tour to Jakarta to launch their latest single, "Metropolutan" (Metro-pollutant). One week earlier, the song was released for free download on the Internet. "Metropolutan" marked the band's latest critique of environmental degradation in Indonesia, a response to the pollution crisis in the nation's capital. Each night of the tour, hundreds of Navicula fans crammed into Jakarta venues and sang this song collaboratively, having memorized the lyrics after just a few days of repeated listening. As an ethnomusicologist, I came to Indonesia to study the development of the independent music industry in Bali following the 2002 bombings. But that tour, and my many other encounters with music activism in Indonesia and throughout my career have led me to a preoccupation with music as it debates and defines social justice. For my installation in this Rock-n-Roll Exhibition, I present just a handful of the many protest songs I've encountered over the years and across nations. I exclude such distinguished artists as Rage Against The Machine or Bob Marley, as well as a number of definitive protest anthems, from Marvin Gaye's "What's Goin' On" to Phil Ochs' "I Ain't Marching Anymore," despite my immense respect for these artists and anthems. Rather than revisiting the familiar classics (though I still sneak in a few favorites), I opt to explore a selection of artists---diverse in their styles, origins, and social concerns---who may be lesser known, and whose lyrical themes or personal activism has tantalized and scandalized their respective nations. In the mushrooming heat of global activism in which we find ourselves today---the fire that started on Tahrir Square and spread to Wall Street now burns in the hearts of rebels throughout this very nation---these real radicals of rock demonstrate that change begins with a brave and loud few. These musicians, I contend, uphold the highest standards of human rights and our greatest hope that, in Sam Cooke's prophetic words, "a change is gonna come." ♬ Radio streaming live: http://army.wavestreamer.com:6356/listen.pls

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